Jun's artistic practice, which he describe as Imaginal Ethno-Cosmology, lies at the intersection of comparative anthropology, speculative ethnography, and cosmological reimagination. Heavily influenced by the philosophy of Federico Campagna and his theory of Magic Cosmogony, Jun critically explore alternative worldviews that challenge the Technic Cosmogony. Jun's work exists in the liminal space between reality and imagination, where speculative worlds and fictional cosmologies can emerge.
Beginning with in-depth research into local folklore, myths, and customs, Jun engage with the ethnographic study of specific regions. Jun reimagine these cultural practices and beliefs, often fabricating new mythologies, creatures, and rituals that are both grounded in historical research and freely expanded through imagination.
Ultimately, Jun's practice aims to unveil and amplify indigenous cosmologies and alternative knowledge systems that have been marginalized by colonization and capitalist modernization.
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